2016-09-13 Rescuing the Sandbox

I’ve blogged quite a bit about running a Sandbox, and I’ve added my Swiss Referee Style Manual to my house rule document, Halberds and Helmets, which also has some points on how I run my sandbox. And yet, perhaps the author of the Sandboxes and Quagmires blogpost is right: we should also talk about failure modes and how to prevent them. +Ed Ortiz mentions the following problems:

  1. players monopolizing the plot, or more generally:
  2. players competing for plot
  3. players paralyzed by too much choice, or maybe
  4. players unable to choose for lack of information
  5. players mistaking a sandbox for laissez faire

What works at my table:

Clearly establish which plot elements belong to which character. This is how we make sure that plot time is distributed fairly even though many players have a thing going. It sounds weird, but saying it at the table makes it easier for people to make fair decisions. Resurrecting Arden is Johannes’ plot element. Building the ivory tower is Claudia’s plot element. Going after bandits is Flavio’s plot element. Sometimes it isn’t easy to say. Samuel is easy going and he seems mostly interested in spreading poisonous giant frogs wherever he goes, for Tsathoggua. Michael is mostly interested in getting treasure and better armor and avoid all dangers. (Chicken!) Lilly is new and hasn’t found her thing, yet. Stefan is interested in things, but I haven’t felt a particular push in any direction. But, knowing that we’ve done a number of sessions pursuing Johannes’ plot, it makes it easier to say that the next few sessions will be about Claudia’s plot, out of the game. This is not an in-game decision.

Explicitly list open plots and ask for preferences concerning the next session. Even if players cannot decide, or no majority can be found, at least you can prepare for one of them and tell people that you’ve decided that they were going to go after X. Narrate the transition and off you go. It’s not “pure” sandbox—the players can see the man behind the curtain when they read their emails, but I don’t think that’s a problem. They couldn’t make up their mind and the referee picked Limbo and Slaads for the next adventure. If you didn’t like it, why didn’t you say so when you got the email? Sometimes this will fail and the referee will have to improvise. It happens. It’s OK. But this is important to me: This, too, is not an in-game decision.

Provide enough information. When I recently listed the open plots, I provided more information than the characters actually had available at the time. It went something like this: You could a) go look for the Formian city mentioned by the slaad spies and try and prevent the spread of the iron shadow, or b) visit Limbo, the home turf of the slaad, looking for a grey elf wizard who supposedly researched the iron shadow, or c) learn more about said grey elf wizard by visiting his home town in the astral sea, or d) continue exploring the mirror labyrinth (and stumbling into the Red and Pleasant Land, which I didn’t tell them). Provide more information than is strictly available in-game.

Make sure there are consequences and announce them. You don’t have to be super explicit, but if you take the golem armor made of old brass magic off the dead dwarven hero and envoys ask you to give it back, and you don’t, and instead you write a letter to the dwarf clan saying that you’ll wear it and use it wisely—then there will be consequences. The enjoys will fume. The scribe will shake his head. And the campaign news page will describe the dwarfs raising an expeditionary force of about two hundred dwarves and there will be interesting sessions ahead. Make sure that interesting actions have interesting consequences and make sure your players know.

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Comments

The blog post by Jens D. and the discussion on G+ left me confused, however.

For example: “What happens when people are allowed to do what they want? […] They start thinking that there are no (social?) rules at all and - in a worse case scenario - you’ll get anarchy. […] I’ve seen it happening […]” – what? That sounds like very dysfunctional people. How about talking to them? “A sandbox game is different to those traditional games in that it takes away as many limitations as possible, beginning by the world and going as far as designing rules towards the same principle.” Huh? “The DM should provide a strong sense of place and culture, so they know where they come from and a just as strong sense of the stories people tell, so they know where they are headed.” Huh?

As I said, I felt like I was reading a blog post from a different gaming culture that had used all the words I was used to in surprising ways.

– AlexSchroeder 2016-09-13 22:53 UTC


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