Copyright

This page collects recent items on Copyright. My goal is Free Culture. Get a copy of the book by Lawrence Lessig to learn more.

Copyright is killing music

And if you’re interested in DRM, check out Code version 2.0, also by Lawrence Lessig.

2020-11-03 The long arm of the USA

The EFF post on DMCA 1201 (”anti-circumvention”) is a pretty clear description on how politics works. The copyright maximalists failed in the US in 1995, but then they succeeded at WIPO in 1996, then the WIPO Copyright Treaty was passed in the US and presto, they’re back, and they made it! Then hundreds of other countries sign up to this shit, and often copy DMCA language because the USA pressures them to do so (better for business for sure) … and here we are, and it’s difficult to back out of international treatises.

But of course, copyright maximalists were already winning the fight when the Berne Convention was signed, which is why every single snippet written down is automatically protected by copyright. This was back in 1886! This is where we get “all works except photographic and cinematographic shall be copyrighted for at least 50 years after the author’s death” from (started because of Victor Hugo, with extended monopoly protection because of Mickey Mouse, uuuuugh).

Anyway, I like @pluralistic’s EFF post on Apollo 1201: the plan to defeat DRM everywhere. That means, fighting on all the fronts: challenge the organisations with corner cases of the law, shift the norms and narratives (talking about tractor repair and printer refills), talk about DRM code failures and security issues, shift markets away from DRM (books, music)… A multi-pronged approach is what we need. As they used to say: “viel Feind, viel Ehr!” (Georg von Frundsberg)

OK, that Georg von Frundsberg quote led me down the image search for “viel Feind viel Ehr” with lots of World War I maps and martial encouragement, and what looks like Nazi memorabilia, German newspaper headlines here and there using the phrase, and Wikipedia. I love Wikipedia. The German page has more cringe-worthy stuff in the section on reception and legacy.

Anyway, all this talk of how copyright maximalists are destroying the things we love because they want to insert themselves as middlemen between ourselves and the things we love and would rather have the whole thing crashing came down rather than compromise, and because they are often US based, and the arm of the US is long… that’s why I, a European living in Europe have to donate money to a US non-profit to fight for my rights over there.

As this is election day in the USA: I hope all you people in the USA get your act together and vote for the right person. Then fix your system and be a force for good in the world again.

I sometimes feel like just as idiots are ready to forget the evil deeds of Nazi Germany, good people are about ready to forget the good deeds of American soldiers in two World Wars. Time to do some good again.

I know, the other half isn’t going to go away. And so it has been for the longest time. I have no idea of how the USA are going to move forward but I sure hope they will, eventually. Actually, for the love of the planet and everything we hold dear, as soon as possible would be cool.

@Sandra noted that people need to kick out the GOP entirely, not just the orange pumpkin. @dredmorbius noted that for the purpose of copyright maximalists, it doesn’t matter who’s in power. In fact, the democrats seem to be even more in favor of copyright maximalism than the republicans. That’s why I think the entire system needs to be fixed.

Perhaps “hill climbing” applies to this problem as well. Slowly, invariably, the positions of the two parties start to shift. It’s always a 50:50 position but where the line is drawn in terms of the political agenda makes a difference.

Comments on 2020-11-03 The long arm of the USA

Unfortunately voting for the “right” person is impossible when left with only the desperate attempt to pick the lesser of two evils.

– test 2020-11-04 00:28 UTC


Karl Popper writes that Thucydides reported that Pericles said: even though only a few of us are able to make politics, we are still all able to judge it. To not pick the lesser evil is to make us complicit in the greater evil.

– Alex Schroeder 2020-11-04 07:54 UTC


Now I’m wondering where Thucydides said this. Perhaps it was this:

Our public men have, besides politics, their private affairs to attend to, and our ordinary citizens, though occupied with the pursuits of industry, are still fair judges of public matters

– Alex Schroeder 2020-11-04 09:11 UTC

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2020-10-24 Cory Doctorow against DRM

You know Cory Doctorow, and perhaps you’re following him on social media, or you’re following his blog. I do. Today, he’s commenting on how the Digital Milenium Copyright Act (DMCA) has been used to develop Digital Restrictions Management (DRM) which is being used to take away the rights you used to have by abusing section 1201 which it a felony to help people tamper with “access controls” that restrict copyrighted works.

Importantly, it doesn’t matter how simplistic the access control is. No matter how simple it is, if you enable people to tamper with it, you are committing a felony. Doctorow gives a few examples, and you probably experienced some yourself. I liked this one:

DMCA 1201 is how Apple and John Deere make it a felony for anyone except them to fix their products. They just design their devices so that after the repair is complete, you need an unlock code to get the system to recognize new parts. Bypassing the unlock code defeats an “access control” and is thus a literal crime.

Copyright is being abused and it needs reform. And not just in the USA: sadly, the US projects so much power both as a state and a collection of corporations, that other countries simply followed suit.

This is why Switzerland has article 39a in it’s copyright act. Paragraph 1 says that “effective technological measures for the protection of works and other protected subject-matter may not be circumvented.”

Paragraph 2 defines what these technical measures might be and paragraph 3 says that it is illegal “to manufacture, import, offer, transfer or otherwise distribute, rent, give for use, and advertise or possess for commercial purposes devices, products or components, or provide services” that enable “the circumvention of effective technological measures”.

Now here’s the kicker: Switzerland limits copyright in specific ways. For example, I can make copies of protected works for myself or my close friends and family. It is my right to this, but I can’t get the tools to do this because the tools cannot be given to me, as explained above.

That’s why I hate the copyright industry. These are the laws they have given us. And Switzerland is about to reform it, but not in a good way.

Comments on 2020-10-24 Cory Doctorow against DRM

“effective technological measures for the protection of works and other protected subject-matter may not be circumvented” — isn’t this a tautology? I mean, if they can be circumvented, then obviously they are not effective?

– deshipu 2020-10-24 21:21 UTC


Feel free to check the official text in German, French, or Italian.

– Alex Schroeder 2020-10-24 21:27 UTC


Ant, Uber, and the true nature of money. An interesting article about fintech, unregulated banks, Saudi money, Uber, Prop 22 in California, the gig economy, the 1%, and more.

– 2020-11-05 22:22 UTC

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2020-08-29 Cory Doctorow

On Mastodon, I had seen @pluralistic posting a few times. It’s Cory Doctorow’s blog, somehow sliced and diced to fit into 500 character toots and it’s weird. I think I’m just going to add his blog to my feed reader.

I like the subtitle: “No trackers, no ads. Black type, white background. Privacy policy: we don’t collect or retain any data at all ever period.”

I’m currently reading his book, How to Destroy ‘Surveillance Capitalism’.

The fear of surveillance capitalism starts from the (correct) presumption that everything Big Tech says about itself is probably a lie. But the surveillance capitalism critique makes an exception for the claims Big Tech makes in its sales literature — the breathless hype in the pitches to potential advertisers online and in ad-tech seminars about the efficacy of its products: It assumes that Big Tech is as good at influencing us as they claim they are when they’re selling influencing products to credulous customers. That’s a mistake because sales literature is not a reliable indicator of a product’s efficacy. — Cory Doctorow

What I like most about it is that it debunks the ascribed superpowers. No, Facebook is not mind-controlling us, or turning us into fascists. But it’s ubiquitous and it allows widely dispersed wannabe-fascists to find each other and organise. The solution is simple: break it up. The problem is not gullible people. The problem is tech monopolies.

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2020-01-22 Copyright is failing

Cory Doctorow writes on BoingBoing: In serving big company interests, copyright is in crisis. (Also on EFF DeepLinks.) As so often is the case, he writes well.

2019 was not a good year for competition in the entertainment sector. Mergers … reduced the number of big movie studios from five (already a farcical number) to four (impossibly, even worse).

And the list goes on. Hollywood screenwriters. Disney. Taylor Swift. YouTube. They all get mentioned.

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Comments on 2020-01-22 Copyright is failing

You certainly sent me down a rabbit hole with this one 😝

Ynas Midgard 2020-01-28 00:03 UTC

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2019-12-21 Who controls a programming language?

For a moment I considered working on a wiki engine written in Go (Oddµ), but then I remembered that Go belonged to Google and they might sunset it at any moment, or use it to deny access to their platforms like Java licenses being used against Google by a competitor, or the might add features nobody wants, or remove features people want, without a good process. Or perhaps there are safeguards against all that? The problem is my lack of trust. I don’t trust corporations any more.

Now I want to know what popular programming languages are controlled by corporations, or by people owing their position to a job at corporations, and languages controlled by individuals, coops, associations, or other more relatable forms of self-government. This is independent of the software license, I think. Even if a hypothetical language were 100% free software, forking isn’t free and so governance matters to me, now. I used to think differently, but not any more.

This trickier than I thought. I thought I might start with Perl 5. Who makes decisions?

perl.org links to perlfoundation.org. But if I understand it correctly, a foundation is not democratic. I’m trying to make sense of What is a foundation? Is there an easy answer?

@wim_v12e pointed out that The Perl Foundation is an alias for a non-profit organisation called Yet Another Society and their governance is explained on their legal page. I hadn’t seen that link when I went looking for something like it. These are the bylaws and their summary that I want. And yes, it is undemocratic: “The board is self-electing…” or take a look at article II of the bylaws: “There shall be no members.” I mean, in a way, I understand. It’s a meritocracy and they want to avoid all bureaucracy. But seen another way: I have no rights except for the benevolence of the board. I need to trust them and I will never be able to organise against them since I can’t ever get elected unless the board I want to change does in fact elect me.

@njoseph mentioned Nim but it’s weird. Their homepage mentions that the main sponsor is paying “+$19000/month” but regarding governance, all I can find is a statement on Wikipedia: “designed and developed by Andreas Rumpf.” Is there anything else? From my point of view, interested as I am in governance, all these homepages need a better explanation.

@takeonrules mentioned Ruby. I skimmed the Ruby Bylaws. One interesting aspect are the corporate members. They exist (👎) but are limited to one person per company (👍). I guess if it weren’t limited like that, a company could send tons of people to subvert the board. Basically this is to avoid regulatory capture! Sadly, this is also pretty self selecting: “The Board shall nominate no more than 12 candidates seeking board membership in any given election.” This sounds like a one party state to me. The weirdness is tempered somewhat by the mandatory representation rules: “at least: (a) 28% female Directors, (b) 28% non-Caucasian Directors, and (c) 14% from any categor(ies) of persons (e.g., race, gender, ability) …” This is pretty progressive, at least.

R fares much, much better. The R Foundation was mentioned by @g. The R Foundation is an association under Austrian law (”Verein”) and its statues (the bylaws) can be downloaded in English and German. Only people can be voting members (but corporations can be supporting members, i.e. sponsors). Commendable!

I assume that the Austrian laws governing associations are similar to the Swiss laws governing associations. Germany, Austria and Switzerland have a culture of associations: choirs, gymnastics, shooting, … everything is an association. I love it. For those of you interested in a short summary of what a Swiss association is (like FIFA, ugh! but bear with me…) I wrote a short summary of Swiss associations on the Corporate Membership page, on Community Wiki. The actual law is available in English although the Swiss government websites don’t seem to think that Cool URIs don't change. And worse: strangely enough I cannot open this link in Firefox. Open it elsewhere and look for “Chapter Two: Associations”.

@trechnex mentioned that the Python Software Foundation is a charity in the United States. Ah, Python! When I learned about Python I was already deep into Perl and it never quite seemed worthwhile to change. But now Python is still popular but Perl is not. I backed the wrong horse! But back to governance: As I explained above, however, a foundation guarantees no rights to users. In Switzerland, for example, you can take the leadership of an association to court for not adhering to the bylaws; all members get exactly one vote by default. That seem so much better than a foundation unless I’m misunderstanding. Also: is a mission statement like on the Python Foundation’s page legally binding? The problem is that programming languages aren’t fungible: if you’ve built a company on Python 2 and disagree with the changes made with Python 3, then what? You have the freedom to fork but that’s it. Perhaps it’s simply the Zeitgeist influencing me: if I trust an entity now that doesn’t mean I’ll trust them in ten years. And what happens then? Sure, democratic principles don’t mean things will be safe. But at least there’s hope…

@ed1conf chimed on the Python question and said that any corporate-owned language is a risk: Go, Swift, Dart, Kotlin, Java, Hypercard, VB, FoxPro, … and I agree. A language with “a formal & publicly-available spec, preferably with multiple implementations” (such as the various Python implementations) would seem like a boon. The Python question kept bugging me, however. Perhaps this is my age showing, having grown up in a time when many people felt “benevolent dictators for life” (BDFL) were a good thing, and Guido van Rossum was one of them. But then again, he retired and the Bylaws of the Python Software Foundation talks about members and votes. Sadly, it’s a bit more complicated:

Section 4.1. says: “There are five (5) classes of members of the corporation, denoted as Basic Members, Supporting Members, Managing Members, Contributing Members and Fellows.” Section 4.4. says: “Basic Members have no voting rights” – that makes me sad. But there’s another section that balances this out: Section 4.7. says: “Contributing Members … must commit to working at least five hours per month … where the work relates to the creation or maintenance of open source software available to the public at no charge. … have voting rights” – that seems like a very cool thing!

I still think simpler associations and coops are the true goal, though.

Later, @deshipu chimed in and said:

The PSF doesn’t control the Python language — they only handle funds, sponsoring, organization of events, promotion and such. They also hold the trademark for the Python name and logo. But the actual decisions about the technical shape of Python, which were done by the BDFL Guido Van Rossum, are now done by the Steering Council as described in PEP-0013.

What does it say? The council makes the decisions. The candidates for council elections are nominated and elected by core members. To become a core member, you need to demonstrate lots of good traits as listed and you get two-thirds positive votes from the core team and no veto from the steering council. Thus, it’s a form of self-selection. It sounds good, but also difficult to introduce change. After all:

Core team members are always looking for promising contributors, teaching them how the project is managed, and submitting their names to the core team’s vote when they’re ready.”

@wim_v12e brought up standardised (ISO/IEC/IEEE/...) languages like C/C++, Fortran, OpenCL; and tomasino @tomasino brought up Ada – “ISO/IEC JTC 1 SC 22 Working Group 9 (the group responsible for Ada Standards)” – so the question is, how does this all work?

@schaueho linked me to Kent Pitman’s Common Lisp: The Untold Story. It’s not about the ISO standards in particular, but about ANSI standards. It’s all about the role of chance and the role of finance (who is going to pay for the people doing the work?) – recommended reading, I think.

When the manual was done and it was time to publish it, I was asked to sign over the copyright to MIT as part of the publication process. This seemed wrong to me, since I had done the work myself without anyone paying me, but I wasn’t sure what option I had, so I eventually just said ok. The manual sold two press runs and I computed later that MIT had made about $17,000 in net profit (the equivalent of my first year salary after graduating). I saw none of that money—all because I didn’t realize I should say, “Wait a minute. You didn’t pay for it and I won’t sign it over.”

– Kent Pitman

Anyway, back to the ISO standards process. @tastytea offered a link to Consensus. I find it agreeable enough. It describes how things might work in a friendly environment. It doesn’t exactly sound actionable: it doesn’t describe any actual procedures one needs to follow; it just offers guidance on the interpretation of the procedures defined elsewhere. I offer the following example from Meetings and Participation, also a link put forward by @tastytea:

Consensus on changes: For every proposed change brought forward to full committee at the end of the week, it is the responsibility of the WG21 convener to determine whether there is consensus to adopt the change. First, to determine whether there is general agreement, the convener normally takes a poll of the individual national body-appointed experts in the room, not including observers who are not experts officially representing a national body; unanimity is not required. Then he also checks whether any national bodies have strong objections that need further attention before the change is adopted; again unanimity is not required, but we try to avoid proceeding with a change if there are sustained objections from several nations.

It’s all very much “soft power”: What is general agreement? What are strong objections? Is this process ever endangered? The procedures seem to handle how to change the standard, but how do you change the procedures themselves?

Most damning of all, however: you need to be an ISO member in order to vote. @tastytea had this covered, too: “Membership costs US$1,950 a year.” If you check WG21 (ISO C++ Committee), another link provided by @tastytea, you’ll see Google mentioned again and again. Is this regulatory capture? Is this simply how things work? Funding is important, after all. Kent Pitman also mentioned it up above. Where does that leave non-corporate users? The level of organisation required to get anything done without money seems prohibitive. Is this just the facts of life or is a different world possible? I mean, who are the stakeholders? Are stakeholders with lots of money on the line more important than other stakeholders? Should there be different languages with different governance models? How would this ever work without money, I wonder.

@tastytea had more links to share! If you’re interested in the process in general (for C++), take a look at The life of an ISO proposal: From "cool idea" to "international standard" and How To Submit a Proposal. Sobering! Anyway, apparently the formal procedures are managed at the ISO-level. Makes sense.

I think the question of copyright of a language specification, of an API (remember Java?), or even a constructed language (remember Klingon?) are super interesting. Suddenly copyright doesn’t just cover the thing you are saying but there is another layer of copyright governing the language you’re using to express yourself. This is related to my interest in Semiotic Standard. @deshipu said that these icons “are utilitarian, informative symbols by their function, and not works of art. Industrial design and such doesn’t fall under copyright protection.” That would be very cool. And it sort of makes sense. Where would we be if makers of media players had to license symbols ⏏️ ▶️ ⏸ ⏹ ⏪ ⏩ and ⏮ ⏭ – I guess? I have no idea, actually.

Anyway, we’re coming to the end of this exceedingly long blog post summarising the excellent discussion I’ve had with many people on Mastodon. Did I mention you should join Mastodon? You should!

@takeonrules had one last input: Programming Language Fragility.

If you write some software in a particular language, can you copy the compiled program to another computer and expect it to work? If the internet stopped functioning, would you be left helpless?

This matches the apocalyptic Zeitgeist we live in. “All hail Eris!”

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Comments on 2019-12-21 Who controls a programming language?

Thank you for the summary and whirlwind tour.

As someone that works in open source software for research libraries, one observation we’ve had is that we have come to need specifications more than implementations. The underlying languages can change but if things are built to specs, in theory we have portability.

My team is participating on a grant for the infrastructure of Emulation as a Service (with several other institutions across the globe) as well as software/data preservation. These two go hand in hand regarding the apocalypse.

Personally, I’m more interested in the artifacts generated than the processes used to generate them (e.g. I value my static website more than the scripts that generate it, though I appreciate them very much). So something like the Oxford Common File Layout (OCFL) is very appealing.

Jeremy Friesen 2019-12-21 21:01 UTC


@holger also wondered about Rust and Smalltalk.

Rust has a big long page full of teams and working groups but I don’t see who’s calling the shots. Do you? The core team? But who set up these rules and who can change them?

Smalltalk – Wikipedia links to ANSI Smalltalk Standard, which mentions a document number, ANSI INCITS 319-1998. I guess it’s like Common Lisp which has the document number ANSI INCITS 226-1994. And thus all the caveats regarding standards mentioned in the blog post apply: membership fees, amount of time and energy involved, funding.

– Alex Schroeder 2019-12-21 23:01 UTC


Good that you are making this summary. I was kind of lost in that discussion on Masto 🙂

Of course, there is still one more option - create your own language, make it popular a control it... You can also make an organization for standardizing it - something like ALIS - Alex Schroeder Institute of Standardization 🙂

Peter Kotrčka 2019-12-25 10:30 UTC


Haha. 😀

The reason that kicked it all off was the general anti-Google sentiment I’m seeing everywhere extending to the programming language Go, which took hold of me because of the Java struggle in Oracle vs. Google due to Android, and then wondering: how justified is this aversion, actually? And how are other la gauges better or worse?

It’s been very enlightening because I had never actually taken the time to go and look for the information on governance.

– Alex Schroeder 2019-12-25 20:47 UTC


Yeah, but.. everyone is jumping to this “new languages” train, be it Go or Rust.. and 99% does not really care - although, I think there was a debate about a Google logo on the Go webpage...so, maybe I am just not seeing those antigooglers so often.

Peter Kotrčka 2019-12-25 23:50 UTC


One theme of your post seems to be that in too many cases, there’s no formal guarantee of influence for many ordinary people – to make sure the future of some programming language is not simply decided on the basis of profit or the politics of some corporation.

You seem to assume that by means of a formal majority vote, the influence of corporations can be avoided easily. I agree that it can be avoided to some extent. However, only to some extent: A formal majority vote forces corporations to influence the people, i.e. to influence the decision indirectly by means of mass manipulation (which is what the really big corporations, like Facebook, Google, Amazon are specialized on, because this is an essential part of their business model).

Looking at e.g. the history of germany, it is obvious that there is no strong guarantee the majority vote won’t be used to give power to a few evil people in the end. Also, if I may judge that you favour simplicity, you will probably agree that the mainstream in programming culture is not always rational – it is heavily influenced by what the “best practices” of the industry are.

IMHO democracy doesn’t help when your culture is broken. The real focus must be on (re-)discovering and entering deeper into the truth (the “right culture”, whatever that is) itself (this also applies to our society in general).

– Anonymous 2020-01-06 19:51 UTC


Both aspects are true. The part I liked about the R bylaws for examples was corporate members – no matter how big! – seem to get just one vote. And don’t forget that lessons were learned by democracies as well. Many countries have the law, and a constitution, and changing the constitution takes a whole lot more. Germany, for example, has these fundamental rights, too. Changing them is harder. It’s not perfect by any means, and the trust in institutions, the culture around the legal frameworks is just as important (one of key points the What Trump Can Teach Us About Con Law podcast is trying to make).

So yeah, no guarantees, but still safeguards.

– Alex Schroeder 2020-01-06 21:23 UTC

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2019-09-26 Leistungsschutzrecht

Netzpolitik schreibt EU-Leistungsschutzrecht droht schon vor dem Start zu scheitern: In Frankreich wird es eingeführt und Google reagiert sofort:

Statt einem Anreißertext von ein paar Zeilen und einem Bild, wie es ihn für einige Nachrichtenlinks gebe, werde es künftig bloß den Titel der Seite und einen Link geben. Dies gelte nicht nur für Google News, sondern für alle Google-Dienste.

Jetzt sind die Franzosen empört, und Axel Voss schämt sich nicht, wenn er sagt:

I would say to Google that they should adopt more of the ‘European style’ of news, news structure, and not try to get everything absolutely on their platforms and that no one consults their rivals anymore.

Jetzt kann man ihn natürlich vorführen: Will er den Google zu einem gewissen Geschäft zwingen? Google will das Geschäft nicht eingehen und zeigt weniger Text und Bilder an, was ja genau dem Wortlaut von Voss entspricht. Aber das passt natürlich auch nicht.

So ein Blödsinn aber auch, wenn sich ein Marktteilnehmer aus dem Markt verabschiedet. Was für ein Tyrann.

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2019-08-23 Albums

A few years ago I sold two minidisc devices and about 200 empty discs. I was astonished how eager some people were to buy the empty discs (the devices not so much) and recently I was remembering how people would take one tape, one CD or one minidisc and listen to the same album over and over again. Something that seems so strange these days. I feel strange for having just a few albums on my phone instead of streaming. I prefer podcasts to music these days.

And now I’m listening to an Elvis Presley collection with about 150 albums and singles and I wonder how to best listen to the singles: play the “album” of two songs on repeat? To think that this is how people used to listen to music. The same two songs, over and over. I’ve played this single twice and already my wife is telling me that we just heard the same tracks!

And what happened to mixtapes? You can still make them with files – except people are afraid of copyright and so we can’t do it for many people, but we can do it for friends. But nobody does. Somehow the physical artifact is important. And back when I was young and recorded tapes for my now wife music was – rare? I didn’t have all The Doors CDs but a neighbor did…

These days you can’t even share a playlist unless you both have the same streaming service. Blearg!

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2019-08-12 Public Domain Radio

I love this: Public Domain Online Radio.

  1. Public Domain Classical: Mixed Classical music, Chamber music and Symphonies
  2. Public Domain Jazz: Mixed Jazz, Ragtime and Swing

And there’s the promise for more:

The Public Domain Radio broadcasts 24/7 non-stop free works on different channels. Our archive includes over 50 000 78 rpm records, cylinders and discs of Edison and Pathé that we have to clean and digitize.

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2019-06-29 Microsoft illustrates why DRM is shit

@rdonoghue wrote [1]:

Reminded that the Microsoft ebook store closes next week. The DRM’d books will stop working.

I cannot believe that sentence.

“The books will stop working.”

I keep saying it and it sounds worse each time.

I liked the reply by @foxwitch [2]:

IMO any company that shuts down their DRM servers should be legally required to distribute the keys and/or a tool to remove their own DRM

At the very least! Or we should outlaw it. Or at least remove the ban on circumvention technologies because fuck this shit.

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2019-04-18 New Music

Where do you find new music? For many years, I listened to Sounds! on the Swiss national radio. I faintly remember not being able to download the podcast when I wasn’t in Switzerland. That really made me angry.

Today I was listening to the Brahms symphonies. The recordings of the four symphonies I have are the only thing other than the German Requiem I have written by Brahms. I started wondering. Where to start?

@fitheach and @ted recommended Musopen (”We provide recordings, sheet music, and textbooks to the public for free, without copyright restrictions. Put simply, our mission is to set music free.”) because they also have a music catalogue (”Royalty free music recordings”). Interesting. If you sign up for the free plan, you get five downloads per day. It doesn’t sound like much, but how much new music do you want to download every day? Perhaps that is enough. The next level is $55/year. It seems a bit expensive but perhaps only because I’m interested in the recordings and not the sheet music.

That reminded me of Magnatunes. I think I bought an album or two from them many years ago. I listened to Ivan Ilić playing Brahms and Schumann for a bit. [1] And perhaps $300 for their entire catalogue is a good deal? (That ad has interrupted my listening twice, now. Still better than the interruptions on YouTube, though.) I’d have ten years of listening for sure! Now I’m listening to La Reverie: Cantica. But $300! Wow. Then again, if I’d buy CDs, that’s just 10 CDs here in Switzerland. Surely I’ll find 10 good albums on Magnatunes.

@xosem recommended IMSLP (the International Music Score Library Project): “The ultimate goal of the IMSLP is to gather all public domain music scores, in addition to the music scores of all contemporary composers (or their estates) who wish to release them to the public free of charge.” The site also has recordings, however. The first symphony, for example, has a recording from the Swiss national radio, 1962, and from the University of Chicago Orchestra, 2006. Very cool!

Anyway, @fitheach recommended the violin concerto opus 77 and @cerisara recommended the hungarian dances. @cerisara also recommended Brahm’s clarinet quintet [2].

@wrenpile recommended the two serenades, Serenade No. 1 in D major for orchestra and Serenade No. 2 in A, Op. 16 and provided two YouTube links to recordings by Istvan Kertesz [3][4] and he recommended Sonata for Piano and Violin No.1 in G major, op. 78 by Kremer and Afanassiyev [5] “For sheer molten gorgeousness”. All right! I’m looking forward to this.

Thank you all.

Remember the beauty of youtube-dl --extract-audio --audio-format mp3 URL! See 2016-12-20 Extract YouTube Audio for more.

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