Yesterday I learned that Trademark Law Does Not Require Companies To Tirelessly Censor the Internet. I didn’t know that. Bioware does have a choice. And in this case, as far as I remember it, Bioware still hasn’t contacted anybody, so it’s all happening between EN World, the Ennies, and the Don Mappin, the author.
Also, the PDF has a disclaimer at the very beginning:
What This Book Is Not
To be clear, this is not a licensed Mass Effect property. Mass Effect is the property of Bioware, a division of Electronic Arts. This is a work of fiction and done without their permission or involvement. No attempt to challenge their legal authority is intended in the publication of this material. Instead, it is our hope to expand the outreach of the Mass Effect property to another segment of games—role-players—who have long coveted a way to bring the events of Commander Shepard to life at their gaming tables. This product comes with one very important and unconditional stipulation:
UNDER NO CIRCUMSTANCES MAY THIS PRODUCT BE CHARGED FOR OR RENUMERATION EXCHANGE HANDS. IT MUST REMAIN FREE OF CHARGE.
As the sole property of Bioware/Electronic Arts, only they have the rights to benefit from the Mass Effect Universe. As such, this work is the result of countless unpaid hours and volunteer work to make it possible to bring to you. Why? Because we’re gamers too and we love Mass Effect just as much as you do!
I guess I'm mostly interested in outcomes. I really like the US constitution in this respect: “promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries”. I want more useful stuff as fast as possible. Having the Mass Effect RPG out now, fan made, is great. It’s better for the gaming public.
What about the artists? The way I read the artist attribution page in the Mass Effect RPG, all those images were available on the Internet, on blogs of concept artists, on Deviant Art. So, without considering copyright law and just considering outcomes, these artists made things available for free, and now what they made is more available, for free. The author of the Mass Effect RPG doesn’t charge money for it. Presumably he’d share his gains with the artists in some way, if he were to make any money. But he isn’t, so he doesn’t. So, it’s still better for the gaming public, and it’s better for the artists, too. Yes, they had no voice, there was no negotiation, this doesn’t consider copyright. All I’m looking at is outcomes.
As far as I’m concerned, I’m with Don Mappin, here. I wish that copyright law was different. I wish that the fair use exception to copyright were clearer. As it is, it’s incredibly hard to tell whether something falls under the exception or not. That’s not good.
I'm not a lawyer, and I’m looking at the points one ought to consider:
Reading through the Wikipedia page and following along, as a layman might be expected to, I guess:
The use was not really educational – or can a game be educational? Maybe? It teaches you how to run a Mass Effect RPG using Fate rules? Does it help “fulfill the intention of copyright law to stimulate creativity for the enrichment of the general public”? It sure looks like it to me. To me, the process of turning the video game into a set of rules for Fate is transformative, not merely derivative.
Nothing in the nature of the game seems to warrant more or less protection than usual. It doesn’t rightfully belong to the public domain. All the artwork the author used had already been published, even if not intended for use in the game, so we don’t need to consider “the aspect of whether the copied work has been previously published”.
As for the amount, I think that the material taken from the game itself is definitely not major. We’re talking some of the background material, the description of things in the game. But the games are about so much more. Characters, plots, levels, graphics. The material taken from artists is major, however. Basically the entire picture was used. I started making a little survey by searching for the first ten items on the artists credits page of the Mass Effect RPG:
Looking at the numbers. Fan art: 15. BioWare: 3. Others: 1. Continuing the analysis of “amount”, I’d say that the amount of art-work taken from the Mass Effect series out of the copyrighted material by BioWare isn’t so big: 3 pieces out of a huge work. As for fan art: If they are not violating BioWare’s copyright because of the fair use exception, then another piece of fan art reusing them should not be violating BioWare’s copyright, either.
So, what is fan art? FAQ #572 has some information: “Original fan art are those works in which the submitting artist has done 100% of the work but the work itself depicts characters, scenes or other themes which were properly created by another creative person. […] Fan art may be copyright infringement and you may be forced to remove it by the copyright owner who may also choose to initiate other legal action.” I’m not sure that BioWare is interested in going after fan art in this respect. Therefore, my understanding of fair use and fan art leads me to suggest that we’re in the clear, here.
That leads us to the last point in the fair use examination, the effect upon the work’s value. Does BioWare and it’s Mass Effect based revenue suffer? Not at all, because they’re not selling a role-playing game. Now, if they were, perhaps they’d be justified under the law to go after the existing game. Now you have to argue that a company wanting to make money making a licensed game is being deterred from entering the market because the existing free fan-made game is so good, taking it down will produce a lot of bad blood. But from a customer’s perspective, that’s OK. We have copyright in order to promote the useful arts. If the useful arts are being promoted without copyright, then that’s even better. This is not an outcome to dislike, at all.
I’m still with Don Mappin.
I think we need to be careful, here. The copyright lobby is so strong, it keeps extending the copyright protection time window, it keeps bombarding us with annoying messages as we play a DVD or go to the movies. This is a war being waged about our hearts and minds. And they have all the money to run their campaigns and we have nothing except our will to share everything because we’re nice and willing to help our neighbors. That is why I don’t like people saying: “I hope that Don rebuilds and reposts the files, this time only including his work.” If we have a fair use exception to copyright, then this exception is our right. It’s a mess to figure out and and it’s hard to be sure, but if we assume that everything Don made falls under fair use, then he should not have to repost the files, and he should be free to include the works of others. That’s how we build on each others’ work. That’s how progress is made. We don’t create ex nihilo. Fair use is our right.
What about the ENies? I understand their decision. The entire thing was a hot potato. They had to make a decision, fast. And I’m guessing they don’t have legal defense funds and lawyers at their disposition. That’s how the scare tactic works. We’re afraid to exercise our right, the associations we build are afraid to exercise our right. How will we learn to claim what is ours except by pushing the boundaries and arguing for our rights?
Comments here or on Google+.
So, I had a little Easter Convention at our place this weekend. On Saturday we played Darkening Skies by Chris Sakkas, an unofficial chapter two for Lady Blackbird by John Harper. On Sunday we played the Mass Effect Fate RPG by Don Mappin et al. If you know nothing about Mass Effect, you might want to look at the Mass Effect page on Wikipedia.
We had decided upon Mass Effect on Saturday evening so I spent maybe an hour or two reading the rules. On Sunday morning, I spent an hour or two looking for adventure ideas online. Let all past and future sages praise the fabulous Mass Effect Wiki. I finally settled on the events described in Mass Effect: Revelation. I had one player who still wants to play the game and so I felt prequel stuff made good material.
The prep I did was this:
As you can see, I didn’t get to the stats at the end. The PDF has templates for enemies at three different thread levels. Excellent! I had seen the templates for Blue Suns mercenaries, Human Ruffians and a Krogan Battlemaster, so I felt certain I could improvise whatever came my way.
If you read the wiki you’ll note that the story starts as two different threads, one following Saren to Juxhi, the other following Anderson to Elysium and both ending up at the Dah’tan manufacturing plant for a showdown with Skarr. I took notes the way I did because I wanted the players to have the choice to investigate any of the different paths. In the end, they discovered that the Turian thieves had handed over the stolen weapons to some human weapon dealers and decided not to follow the trail to Juxhi but spent some time finding their employers, the Blue Suns, and following that lead via a bar looking like Afterlife in Omega, where Aria runs the show, until they finally tracked down Edan Had’dah at the Dah’tan manufacturing plant. That’s when they learned that the Blue Suns were going to attack Sidon. They sent warning and evacuated the survivors a few days later. Then they went back to the local Blue Suns headquarter and tried to force them into an agreement. No more stealing from Turian freighters, as their mission demanded. A fight ensued, which the Blue Suns eventually conceded and all was resolved in the players favor. There were some hints of things to come, the Sovereign, the Geth, Protheans.
I was happy with the plot. At first I thought I’d need more maps or pictures, but in the end Fate isn’t a map based game and the video game may have a lot of map-oriented shooting but the story itself doesn’t really depend on maps. It’s just interesting locations and systems. This worked very well.
Character generation took a long time but one of my players had never played a Fate game before and she liked the character creation system. I had A6 index cards on which they wrote beginning, middle and end of three adventures, and that really worked.
I was unhappy with the fight. Should I have used just one heavy hitting boss and a ton of mooks? I used a “moderate threat” mercenary for every player (Guns +3) and a boss (Guns +5) and the players were all veterans (apex skill at +5), It took a long time for shields to go down. Luckily I remembered making concessions is part of the game and broke it off after the third mercenary went down. As I’ve said a few years ago, I don't like bennies (or Fate points). This cushions the entire experience and invalidates it, as far as I am concerned. When we talked about it after the game, we all agreed on the difference between heroic deeds and Hollywood action. It just isn’t a “sacrifice” if you have a enough Fate points to cushion the blow. Jörg then suggested the perhaps this would change over time. If we played a longer campaign, the aspects would grow in importance. Players would compel each other. We’d start taking an interested in those particular aspects and we’d want to see how characters grow and change. Perhaps!
Before starting the fight I also made sure people had the necessary shields, armor and weapons based on their abilities. In the rules, any of Resources, Leadership, Rapport, Contacts or Security allows you to buy, steal or borrow equipment. And so we made sure they all had the necessary equipment before going into the one and only fight of the session.
I have always liked the Diaspora rules. In 2010 I ran a short lived campaign where we moved from Traveller to Diaspora. Unfortunately I had missed the document Hacking Diaspora to Mass Effect. That would have been around 100 pages instead of around 250 pages. Perhaps that would have worked better? It would have been less crunchy, perhaps!
“From a classic D&D perspective, skills are just that. Aspects are what grant you a reroll or a +2 if you already rolled well. You need to spend a fate point to do that, and to gain them, you need to get your character into trouble after a while (the ideal number of free fate points varies with number of players and hours per session). Stunts are even more extra stuff you can do with your skills. What’s not D&D about it is 1. Rerolls for fate points and 2. You can make changes mechanically relevant without the GM having to think too much using aspects (creating them, taking advantage of them). If you like a deadly D&D game, this is a bad fit because players will be rerolling a lot. The trade off which you need to appreciate is players enjoying the adding of aspects, the tagging of aspects (of the scene, the location, maneuvers, each other) and the getting into trouble in order to get more fate points.”✎
Wow, the conversation just kept on flowing. Remember my this older post of mine explaining why I don't like Bennies. Also, if you have never played Fate before, I strongly recommend you start with a different version of Fate. Right now I only know of some German variants. My own Mesopotamian rules are just six pages! A bit of googling led me to this shorter version of the rules. Back in the days I felt that Diaspora was the best variant. These days I’m not sure. Perhaps Fate Core? Check out the Fate Core download section. It’s much too long, but perhaps less confusing compared to Spirit of the Century. I got started with Spirit of the Century, so it’s not impossible, but I remember being totally confused after a first reading!✎
Diaspora is serious, but the rules are well explained. I would definitely use Spirit of the Century for a family game! I remember running my first Fate game, a 3h one shot, that ended with the characters discovering the Imperial AT AT Walker in possession of the Nazis. You know the famous image…✎
As for offering complications: I usually made this very personal. The party succeeds in freeing the prisoner, no problem. I’m not going to intervene and complicate a success. But if Princess Mei is challenged by one of the sleazy guards who notices her and says “Hey sveet hart, luking foar som kompany!?” I’m definitely aiming for an aspect on the character sheet that says I hate those foreigners! And if the player doesn’t react as I expect them to react, I’ll hold up a token and say “This token here says you can’t pass this fist of opportunity. Take it and fight!” And then the table pauses as the player looks at the token, looks at their stack, considers their options…✎
As for declarations: I guess it depends on what the game is about. Using the example of a broken ballista on a ship being chased by pirates: Is the game about “resource management” and being ill equipped and on the run from pirates? In that case, I might declare that we’re going to do a race to a safe haven using opposed Sailing checks and the first party to reach five successes wins. If the players win, the safe haven is reached. If the pirates win, it’s going to be mano-a-mano on deck and there’s more of them than there’s of you! Now the players know that they need to have five successes and hopefully they are already low on FATE points. I’d argue that I want to see all the player characters make a test and when it comes to the character with low Sailing but high Fighting skill, the player might say: “I’m going to use the ballista instead and use my Fighting skill to tear a large hole into their sail!” Hm… this is not what we agreed to do, but OK – “The ballista is broken. Gimme a FATE point and you’ll find the necessary equipment to fix it. If you make it, any player character will be able to make a Fighting check instead of a Sailing check.”✎
Also, I’m laughing at myself, telling people how I run Fate games, even though I don’t like it anymore! Haha. 😊✎
One of things that turned me off in the long run must have been the issue I already mentioned, Fate points resulting in rerolls, cheapening the rolls. Another thing was that no matter what happened, it all came down to the same old rolls, the same old aspects. If you’re going to run for a few sessions, I’d make the following recommendations (without having tested them myself):✎
Indie Spielabend in ein paar Stunden – was soll ich leiten? Eigentlich würden mich Ryuutama reizen, aber da ist die richtige Anleitung noch nicht draussen. Tenra Bansho Zero wäre auch cool, aber die Bücher sind so dick und ich habe so wenig davon gelesen. Ein klarer Fall von Spielleitermimimimimimimi! Dabei habe ich doch extra hierfür mein Games on Demand Menü vorbereitet, an dem ich mich orientieren will. Die Idee war, dass mir damit die Auswahl einfacher fällt und ich mir durch die Einschränkung auch eine Art von Systemgewandtheit aneigne und nicht jedes mal wieder bei Null beginne. Also… Ein Lady Blackbird Hack mit einem anderen Szenario? Ich merke schon meine Konzentrationsschwäche: Ich würde ja soooo gerne etwas neues spielen. Oder ich packe mein Geist Mesopotamiens aus, also Fate. Vielleicht kann ich das Spiel ja cool machen, obwohl ich selber kein grosser Bennies Fan bin. Hm. Nun bräuchte ich nur noch ein Mesopotamisches Szenario. Oder ein Hellenistisches, um bei der Katabasis von Craula Besh zu bleiben.
Einfach zufällige Seiten in Die Karthager, Die klassische Welt, Der Peloponnesische Krieg, Hellenika oder Die schönsten Sagen des klassischen Altertums aufschlagen?
Mal schauen, was sich da ergibt:
OK, es scheint, dass ich mich in die Tiribazos Geschichte einlesen werde, um daraus ein Abenteuer zu machen.
Diese Karte spiegelt den Stand am Vorabend des Krieges. Wir befinden uns allerdings im Jahre 392 v. Chr.
Ich verstehe die paar Seiten in der Xenophons Hellenika IV 8, 7–17 so:
Der Grosskönig Artaxerxes hat zwei Satrapen in Hellas: Pharnabazos unterstützt die Athener unter Konon gegen Sparta. Er ist im Moment nicht da. Tiribazos ist Satrap von Ionien und vertritt den Grosskönig im Moment. Das Treffen findet in Sardeis, der Residenz des Satrapen von Ionien, statt. Diese Fussnote hatte ich allerdings bei den Vorbereitungen übersehen und liess das Treffen in Korinthos stattfinden. Egal.
Als Sparta erfährt, dass Konon an Pharnabazos Sieg um Sieg erringt und dass der Grosskönig die Mauern von Athen wieder aufbauen lässt, wollen sie bei Tiribazos vorsprechen, auf dass dieser die Unterstützung der Athener unterlasse oder die Lakedaimonier gar gegen die Athener unterstütze. Antalkidas übernimmt diese Gesandtschaft. Weil kurz davor Herippidas erwähnt wurde, der eine Flotte der Lakedaimonier befehligt, habe ich ihn zur Nummer zwei der Gegner gemacht.
Als Athen von dieser Gesandtschaft erfährt, kommt Konon mit den Athenern Hermogenes, Dion, Kallisthenes und Kallimedon ebenfalls nach Sardeis, um einen Abfallen des Grosskönigs zu verhindern. Gesandte der befreundeten Städte von Argos und Korinthos kommen ebenfalls.
Das Spiel beginnt mit der Ankunft der Athener in Sardeis.
Weil wir nur drei Stunden Zeit hatten, wollte ich die Charaktere schon vorbereiten.
Feldherr, brütender Fatalist, grosser Redner, goldgierig, unermüdlich
4: Rhetorik, 3: Schild, Entschlosenheit; 2: Speer, Akrobatik, Kurzschwert; 1: Speerwurf, Athletik, Ringen, Handeln
Begabung: Rhetorik auch unter widrigsten Umständen; Ersatzfähikeit für andere: Rhetorik 3; Kästchen: Gesundheit +1
Gesundheit: ☐☐☐☐ Fassung: ☐☐☐☐ Vermögen: ☐☐
Hoplit, jähzornig, Töpfer, Nachkomme des Herakles, gesellig
4: Speer; 3: Schild, Athletik; 2: Muse, Speerwurf, Schild; 1: Akrobatik, Handeln, Mittel, Ringen
Bonusfertigkeit für andere: Schild +1; Zählerfertigkeit: Athletik statt Entschlossenheit; Kästchen: Gesundheit +1
Gesundheit: ☐☐☐☐☐ Fassung: ☐☐☐☐ Vermögen: ☐☐☐
Kapitän, zögerlich, berechnender Halunke, weit gereist, Zorn der Athena
4: Steuermann; 3: Bogen, Handeln; 2: Schild, Speer, Rhetorik; 1: Schiffsbau, Mittel, Mystik, Schleichen
Gegenstand: Trireme “Zorn der Athena”; Begabung: Handeln mit Feinden; Ersatzfähigkeit: Steuermann für Mystik 3 oder mit Schicksalspunkt für Mystik 4
Gesundheit: ☐☐ Fassung: ☐☐ Vermögen: ☐☐☐
Geschichtsschreiber, liebt seine Frau, Honigzunge, schnell wie der Blitz, Kindermörder
4: Rhetorik; 3: Kurzschwert, Schleichen; 2: Akrobatik, Überleben, Mystik; 1: Muse, Entschlossenheit, Reiten, Alchemie
Ersatzfertigkeit: Rhetorik für Muse 3 oder mit Schicksalspunkt für Muse 4; Kästchen: Gesundheit +1 Gegenstand: Kurzschwert des Baal namens “Kindermörder”
Gesundheit: ☐☐☐ Fassung: ☐☐☐ Vermögen: ☐☐
Tiribazos: Rhetorik 4, Schwert 3, Akrobatik 3 ☐☐☐
Antalkidas: Speer 4, Schild 3, ☐☐☐
Herippidas: Speer 3, Schild 2, ☐☐☐
Spartanischer Hoplit: Speer 2, Schild 2, ☐☐
Berater: Rhetorik 3, ☐☐
Tänzer, Flötenspieler: Verführung 2, ☐☐
Priester des Baals: Mystik 4, Dolch 2, ☐☐
(Zum Bearbeiten des Diagrams haben ich yUML verwendet:
[Athen]-[Konon] [Konon]-[Hermogenes] [Konon]-[Dion] [Konon]-[Kallisthenes] [Konon]-[Kallimedon] [Konon]-[Pharnabazos] [Persien]-[Grosskönig] [Grosskönig]-[Pharnabazos] [Grosskönig]-[Tiribazos] [Sparta]-[Antalkidas] [Antalkidas]-[Herippidas]
Recently, Andy McQuoid asked on Google+ for suggestions running a Diaspora campaign with a colossal derelict ship to explore—and that ship is actively trying to kill the characters. He also said, “ I am also unsure if I present the whole ship as one big Social Combat scene, or to break it down into the component areas, i.e., bridge, engineering, medical etc. and run scenes in there. If this was a Traveller game I would draw up the plans of the ship and have the characters proceed room by room. However, I think Diaspora offers a better, story based way of doing this that would be much more satisfying to do, and I want to showcase some of the great things in the minigame toolkit that Diaspora offers.”
I was reminded of my Solar System game and my post on how to prep for it. I wrote the following in response.
I would treat it as an old-school megadungeon and therefore structure game along missions. The session begins and log files show a certain percentage of extra heat radiation. There must be an unknown energy source in the ship. Outer hull sensors report increased infrared around the 1.7km line…
Prepare a sheet of paper with ideas. List NPCs (machines, programs, robots), rooms and the challenges they pose (stuff to reconnect, overcome, evade), tidbits you want to reveal, decisions that need to be made, consequences you’d like to see, and so on.
Make special note of mini-games you want to run. I’d suggest none on the first or two session but then one or two for every three hour session you play. This can be a social conflict, a platoon combat, a larger combat with a lot of zones, etc. Prepare those little maps and rules before-hand in order to make it a smooth experience.
The game itself is the structured along the challenges, players looking at their skills and deciding how to go about it, resolving the skill checks, invoking aspects, enforcing consequences, revealing interesting parts of the background and leads to new missions for future sessions.
Every now and then, I’d make sure to add adventures outside the ship. Visiting a system. Contacting other ships, etc. But it all follows the general outline above.
Vor zwei Jahren hatte ich mal meine Fate Variante Der Geist Mesopotamiens vorgestellt. In der Zwischenzeit ist Fate Core erschienen, und ich habe mir die Sache mal angeschaut. Ein paar Dinge sind mir sofort positiv aufgefallen:
Ein paar interessante Vereinfachungen im Detail – mir gefällt’s! Wenn das Teil nur nicht über dreihundert Seiten lang wäre. Aber das kennen wir ja schon. Deswegen habe ich mein PDF einfach überarbeitet. Meine Fate Variante ist immer noch nur 4½ Seiten lang.
Und ich habe die Dokumente auf GitHub gestellt.
Was mir noch fehlt ist eine Proberunde.
Für unsere Montagsrunde brauchte ich eine Adaption von Spirit of the Century und Diaspora für eine hellenistisch-babylonische Kampagne. Insbesondere war mir wichtig, von den bestehenden Büchern weg zu kommen. Das Spirit of the Century Regelbuch sind mir viel zu lang. Die Beschreibungen der Skills sind langweilig, die Stunts verwirrend, Gadgets kompliziert, Spielleitertipps unnötig, Hintergrund sowieso anders. Und von Diaspora brauche ich weder Cluster Generation noch Platoon Combat, und Social Combat wollte ich einfach live zeigen. Die Ladder für Schwierigkeiten, Zeit, und all die anderen zehntausend Dinge brauche ich auch nicht. Und bei den Skills brauchte ich natürlich einen Ersatz für Schusswaffen. Und ausserdem habe ich gerne deutsche Namen für die Dinge wenn wir am Abend sowieso auf Deutsch spielen. Irgendwie mag ich es nicht, wenn wir Deutsch spielen aber alle Talente und Ausrüstungsgegenstände Englisch sind.
Heute war Feuertaufe! Der erste Spieler ist schon mit einem Charakter nach den Spirit of the Century Regeln mit fünf Stunts gekommen und hat wegen Begleittier und Gadget sich je +1 im Kampf gegeben. Ich hatte keine Lust auf eine grosse Diskussion aber das nächste Mal will ich wie bei Diaspora einfach mit have a thing ohne Bonus spielen. Ansonsten hat die Kurzfassung sehr gut geklappt und die richtigen Bücher wurden kein einziges Mal aufgeklappt. Damit hat sich eigentlich gezeigt, dass eigene Kurzfassungen der Regeln mit eingebauten Hausregeln auch wirklich schnell zusammengestellt sind.
Nur die NeoOffice Bastelei war mühsam.
Update: Die neue Version wurde mit LaTeX erstellt!
Update: Die neue Version ist nun auf GitHub.
I just listened to 2d6 Feet in a Random Direction episode 55 with Ryan Macklin and Brian Isikoff talking about the GM side of the EndGame Iron GM competition. What I really liked about this show was hearing two GMs comparing notes on two similar FATE games. Choices to implement, timed aspects, character creation, what they did to get players talking, how they handled having no time to prep at all, how they handled the themes they were given which they did not like, and many things besides. It was real, hands-on, useful information, with context, commentary. Simply inspirational and awesome.
Does anybody know of similar hands-on GM oriented episodes? There are a lot of broad, theoretical advice shows. But this episode was about the nitty-gritty details of running a game delivered in a conversational style. I’d like to listen to one or two similar shows.
I’m running a biweekly Diaspora game in a Traveller Subsector. The party had just crash landed on a planet after being shot down by a gunship using space combat rules and made it to the base on a sort of social combat map with the opponents being earthquakes, a sea monster, and a patrol of aliens. Inside the base, they saw the overgrown and partly disassembled remnants of the ship that had brought the alien infection to the system and decided they were going to hook their diplomat-hacker up with the central nervous system running the base. I asked the table whether they felt like another map and combat but Harald reminded me of another technique I often use: Just go around in a circle and ask each of the players what they’ll do to help solve the problem.
Four players, four rolls. I said you need at least two successes. First attempt by Thomas at finding a quiet corner fails spectacularly. The aliens get spin. Second attempt by Florian at fighting the immune system of the mega-organism fails spectacularly. The aliens get spin. Third attempt by Harald at hooking up the hacker fails spectacularly. The aliens get spin. Whoa!! The last roll comes up and I ask for the stakes. What’s going to happen when Jörg fails? I say he’s going to be taken over and integrated into the base if he fails. He says “w00t!?” He doesn’t want to take the consequences for all the earlier failures. Harald volunteers to take a severe consequence that would change his result into a success – “infected by an alien mind”. Yay!! Jörg manages to reprogram the alien factory in order to make the resulting ship something they can use. Victory!
As the session was about to end, I give the diplomat-hacker the following choice:
They picked #3 – Alien 2 style. So proud.
Bye bye Traveller category – our gaming group has decided to give Diaspora a try!
Today we had three hours. First we discussed the state of the campaign and decided to switch to Diaspora. I printed out character sheets, skill reference sheet, personal combat sheet while Harald explained a bit about the rules. Then we converted our Traveller characters. It went pretty smoothly. The free form aspects are a real boon.
We assigned a system to each one of us, and said that we’d convert the UWP to the Diaspora stats on our Campaign:Kaylash subsector wiki. We’ll convert them as we go. Technology, Environment, Resources, and three aspects, that should not be too hard. We already have a map and a lot of info on some of the systems.
I don’t think we need a Diaspora cluster. Perhaps I’m missing something? The benefit of having small clusters might be a localized game suited for people that like to switch campaigns often? We’ve been playing our biweekly game for a year, now. I think we want to keep playing in this subsector and we want to keep exploring our characters for quite a bit more.
Wish us luck!